1373 lines
69 KiB
Plaintext
1373 lines
69 KiB
Plaintext
PART ONE
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CHIBA CITY BLUES
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The sky above the port was the color of television, tuned
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to a dead channel.
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"It's not like I'm using," Case heard someone say, as he
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shouldered his way through the crowd around the door of the
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Chat. "It's like my body's developed this massive drug deficiency."
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It was a Sprawl voice and a Sprawl joke. The Chatsubo
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was a bar for professional expatriates; you could drink there
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for a week and never hear two words in Japanese.
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Ratz was tending bar, his prosthetic arm jerking monotonously
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as he filled a tray of glasses with draft Kirin. He saw
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Case and smiled, his teeth a web work of East European steel
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and brown decay. Case found a place at the bar, between the
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unlikely tan on one of Lonny Zone's whores and the crisp naval
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uniform of a tall African whose cheekbones were ridged with
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Joe boys," Ratz said, shoving a draft across the bar with his
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good hand. "Maybe some business with you, Case?"
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Case shrugged. The girl to his right giggled and nudged
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The bartender's smile widened. His ugliness was the stuff
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of legend. In an age of affordable beauty, there was something
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heraldic about his lack of it. The antique arm whined as he
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reached for another mug. It was a Russian military prosthesis,
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a seven-function force-feedback manipulator, cased in grubby
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pink plastic. "You are too much the artiste, Herr Case." Ratz
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grunted; the sound served him as laughter. He scratched his
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overhang of white-shirted belly with the pink claw. "You are
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the artiste of the slightly funny deal."
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"Sure," Case said, and sipped his beer. "Somebody's gotta
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be funny around here. Sure the fuck isn't you."
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The whore's giggle went up an octave.
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"Isn't you either, sister. So you vanish, okay? Zone, he's
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a close personal friend of mine."
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She looked Case in the eye and made the softest possible
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spitting sound, her lips barely moving. But she left.
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"Jesus," Case said, "what kind a creep joint you running here?
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Man can't have a drink."
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"Ha," Ratz said, swabbing the scarred wood with a rag,
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"Zone shows a percentage. You I let work here for entertainment
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value."
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As Case was picking up his beer, one of those strange
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instants of silence descended, as though a hundred unrelated
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conversations had simultaneously arrived at the same pause.
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Then the whore's giggle rang out, tinged with a certain hysteria.
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Ratz grunted. "An angel passed."
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"The Chinese," bellowed a drunken Australian, "Chinese
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bloody invented nerve-splicing. Give me the mainland for a
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nerve job any day. Fix you right, mate...."
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"Now that," Case said to his glass, all his bitterness suddenly
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rising in him like bile, "that is so much bullshit."
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The Japanese had already forgotten more neurosurgery than
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the Chinese had ever known. The black clinics of Chiba were
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the cutting edge, whole bodies of technique supplanted monthly,
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and still they couldn't repair the damage he'd suffered in that
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Memphis hotel.
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A year here and he still dreamed of cyberspace, hope fading
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nightly. All the speed he took, all the turns he'd taken and the
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corners he'd cut in Night City, and still he'd see the matrix in
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his sleep, bright lattices of logic unfolding across that colorless
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void.... The Sprawl was a long strange way home over the
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Pacific now, and he was no console man, no cyberspace cowboy.
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Just another hustler, trying to make it through. But the
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dreams came on in the Japanese night like live wire voodoo
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and he'd cry for it, cry in his sleep, and wake alone in the
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dark, curled in his capsule in some coffin hotel, his hands
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clawed into the bedslab, temper foam bunched between his fingers,
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trying to reach the console that wasn't there.
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"I saw your girl last night," Ratz said, passing Case his
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second Kirin.
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"I don't have one," he said, and drank.
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"Miss Linda Lee."
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Case shook his head.
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"No girl? Nothing? Only biz, friend artiste? Dedication to
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commerce?" The bartender's small brown eyes were nested
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deep in wrinkled flesh. "I think I liked you better, with her.
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You laughed more. Now, some night, you get maybe too artistic,
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you wind up in the clinic tanks, spare parts."
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"You're breaking my heart, Ratz." He finished his beer,
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paid and left, high narrow shoulders hunched beneath the rain-stained
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khaki nylon of his windbreaker. Threading his way
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through the Ninsei crowds, he could smell his own stale sweat.
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Case was twenty-four. At twenty-two, he'd been a cowboy
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a rustler, one of the best in the Sprawl. He'd been trained by
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the best, by McCoy Pauley and Bobby Quine, legends in the
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biz. He'd operated on an almost permanent adrenaline high, a
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byproduct of youth and proficiency, jacked into a custom cyberspace
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deck that projected his disembodied consciousness
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into the consensual hallucination that was the matrix. A thief
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he'd worked for other, wealthier thieves, employers who provided
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the exotic software required to penetrate the bright walls
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of corporate systems, opening windows into rich fields of data.
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He'd made the classic mistake, the one he'd sworn he'd
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never make. He stole from his employers. He kept something
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for himself and tried to move it through a fence in Amsterdam.
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He still wasn't sure how he'd been discovered, not that it
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mattered now. He'd expected to die, then, but they only smiled.
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Of course he was welcome, they told him, welcome to the
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money. And he was going to need it. Because--still smiling--
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they were going to make sure he never worked again.
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They damaged his nervous system with a wartime Russian
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mycotoxin.
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Strapped to a bed in a Memphis hotel, his talent burning
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out micron by micron, he hallucinated for thirty hours.
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The damage was minute, subtle, and utterly effective.
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For Case, who'd lived for the bodiless exultation of cyberspace,
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it was the Fall. In the bars he'd frequented as a cowboy
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hotshot, the elite stance involved a certain relaxed contempt
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for the flesh. The body was meat. Case fell into the prison of
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his own flesh.
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His total assets were quickly converted to New Yen, a fat
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sheaf of the old paper currency that circulated endlessly through
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the closed circuit of the world's black markets like the seashells
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of the Trobriand islanders. It was difficult to transact legitimate
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business with cash in the Sprawl; in Japan, it was already
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illegal.
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In Japan, he'd known with a clenched and absolute certainty,
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he'd find his cure. In Chiba. Either in a registered clinic or in
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the shadow land of black medicine. Synonymous with implants,
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nerve-splicing, and micro bionics, Chiba was a magnet for the
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Sprawl's techno-criminal subcultures.
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In Chiba, he'd watched his New Yen vanish in a two-month
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round of examinations and consultations. The men in the black
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clinics, his last hope, had admired the expertise with which
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he'd been maimed, and then slowly shaken their heads.
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Now he slept in the cheapest coffins, the ones nearest the
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port, beneath the quartz-halogen floods that lit the docks all
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night like vast stages; where you couldn't see the lights of
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Tokyo for the glare of the television sky, not even the towering
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hologram logo of the Fuji Electric Company, and Tokyo Bay
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was a black expanse where gulls wheeled above drifting shoals
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of white styrofoam. Behind the port lay the city, factory domes
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dominated by the vast cubes of corporate arcologies. Port and
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city were divided by a narrow borderland of older streets, an
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area with no official name. Night City, with Ninsei its heart.
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By day, the bars down Ninsei were shuttered and featureless,
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the neon dead, the holograms inert, waiting, under the poisoned
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silver sky.
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Two blocks west of the Chat, in a teashop called the Jarre
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de The, Case washed down the night's first pill with a double
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espresso. It was a flat pink octagon, a potent species of Brazilian
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dex he bought from one of Zone's girls.
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The Jarre was walled with mirrors, each panel framed in
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red neon.
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At first, finding himself alone in Chiba, with little money
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and less hope of finding a cure, he'd gone into a kind of terminal
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overdrive, hustling fresh capital with a cold intensity that had
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seemed to belong to someone else. In the first month, he'd
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killed two men and a woman over sums that a year before
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would have seemed ludicrous. Ninsei wore him down until the
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street itself came to seem the externalization of some death
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wish, some secret poison he hadn't known he carried.
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Night City was like a deranged experiment in social Darwinism,
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designed by a bored researcher who kept one thumb
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permanently on the fast-forward button. Stop hustling and you
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sank without a trace, but move a little too swiftly and you'd
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break the fragile surface tension of the black market; either
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way, you were gone, with nothing left of you but some vague
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memory in the mind of a fixture like Ratz, though heart or
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lungs or kidneys might survive in the service of some stranger
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with New Yen for the clinic tanks.
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Biz here was a constant subliminal hum, and death the
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accepted punishment for laziness, carelessness, lack of grace,
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the failure to heed the demands of an intricate protocol.
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Alone at a table in the Jarre de The, with the octagon coming
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on, pinheads of sweat starting from his palms, suddenly aware
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of each tingling hair on his arms and chest, Case knew that at
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some point he'd started to play a game with himself, a very
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ancient one that has no name, a final solitaire. He no longer
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carried a weapon, no longer took the basic precautions. He ran
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the fastest, loosest deals on the street, and he had a reputation
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for being able to get whatever you wanted. A part of him knew
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that the arc of his self-destruction was glaringly obvious to his
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customers, who grew steadily fewer, but that same part of him
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basked in the knowledge that it was only a matter of time. And
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that was the part of him, smug in its expectation of death, that
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most hated the thought of Linda Lee.
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He'd found her, one rainy night, in an arcade.
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Under bright ghosts burning through a blue haze of cigarette
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smoke, holograms of Wizard's Castle, Tank War Europa,
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the New York skyline.... And now he remembered her that
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way, her face bathed in restless laser light, features reduced to
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a code: her cheekbones flaring scarlet as Wizard's Castle burned,
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forehead drenched with azure when Munich fell to the Tank
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War, mouth touched with hot gold as a gliding cursor struck
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sparks from the wall of a skyscraper canyon. He was riding
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high that night, with a brick of Wage's ketamine on its way
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to Yokohama and the money already in his pocket. He'd come
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in out of the warm rain that sizzled across the Ninsei pavement
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and somehow she'd been singled out for him, one face out of
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the dozens who stood at the consoles, lost in the game she
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played. The expression on her face, then, had been the one
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he'd seen, hours later, on her sleeping face in a port side coffin,
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her upper lip like the line children draw to represent a bird in
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flight.
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Crossing the arcade to stand beside her, high on the deal
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he'd made, he saw her glance up. Gray eyes rimmed with
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smudged black paintstick. Eyes of some animal pinned in the
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headlights of an oncoming vehicle.
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Their night together stretching into a morning, into tickets
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at the hover port and his first trip across the Bay. The rain kept
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up, falling along Harajuku, beading on her plastic jacket, the
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children of Tokyo trooping past the famous boutiques in white
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loafers and cling wrap capes, until she'd stood with him in the
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midnight clatter of a pachinko parlor and held his hand like a
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child.
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It took a month for the gestalt of drugs and tension he moved
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through to turn those perpetually startled eyes into wells of
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reflexive need. He'd watched her personality fragment, calving
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like an iceberg, splinters drifting away, and finally he'd seen
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the raw need, the hungry armature of addiction. He'd watched
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her track the next hit with a concentration that reminded him
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of the mantises they sold in stalls along Shiga, beside tanks of
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blue mutant carp and crickets caged in bamboo.
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He stared at the black ring of grounds in his empty cup. It
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was vibrating with the speed he'd taken. The brown laminate
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of the table top was dull with a patina of tiny scratches. With
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the dex mounting through his spine he saw the countless random
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impacts required to create a surface like that. The Jarre was
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decorated in a dated, nameless style from the previous century,
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an uneasy blend of Japanese traditional and pale Milanese plastics,
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but everything seemed to wear a subtle film, as though
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the bad nerves of a million customers had somehow attacked
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the mirrors and the once glossy plastics, leaving each surface
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fogged with something that could never be wiped away.
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"Hey. Case, good buddy...."
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He looked up, met gray eyes ringed with paintstick. She
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was wearing faded French orbital fatigues and new white sneakers.
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"I been lookin' for you, man." She took a seat opposite
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him, her elbows on the table. The sleeves of the blue zip suit
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had been ripped out at the shoulders; he automatically checked
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her arms for signs of derms or the needle. "Want a cigarette?"
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She dug a crumpled pack of Yeheyuan filters from an ankle
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pocket and offered him one. He took it, let her light it with a
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red plastic tube. "You sleep in' okay, Case? You look tired."
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Her accent put her south along the Sprawl, toward Atlanta.
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The skin below her eyes was pale and unhealthy-looking, but
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the flesh was still smooth and firm. She was twenty. New lines
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of pain were starting to etch themselves permanently at the
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corners of her mouth. Her dark hair was drawn back, held by
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a band of printed silk. The pattern might have represented
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microcircuits, or a city map.
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"Not if I remember to take my pills," he said, as a tangible
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wave of longing hit him, lust and loneliness riding in on the
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wavelength of amphetamine. He remembered the smell of her
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skin in the overheated darkness of a coffin near the port, her
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locked across the small of his back.
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All the meat, he thought, and all it wants.
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"Wage," she said, narrowing her eyes. "He wants to see
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you with a hole in your face." She lit her own cigarette.
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"Who says? Ratz? You been talking to Ratz?"
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"No. Mona. Her new squeeze is one of Wage's boys."
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"I don't owe him enough. He does me, he's out the money
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anyway." He shrugged.
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"Too many people owe him now, Case. Maybe you get to
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be the example. You seriously better watch it."
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"Sure. How about you, Linda? You got anywhere to sleep?"
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"Sleep." She shook her head. "Sure, Case." She shivered,
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hunched forward over the table. Her face was filmed with
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sweat.
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"Here," he said, and dug in the pocket of his windbreaker,
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coming up with a crumpled fifty. He smoothed it automatically,
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under the table, folded it in quarters, and passed it to her.
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"You need that, honey. You better give it to Wage." There
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was something in the gray eyes now that he couldn't read,
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something he'd never seen there before.
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"I owe Wage a lot more than that. Take it. I got more
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coming," he lied, as he watched his New Yen vanish into a
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zippered pocket.
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"You get your money, Case, you find Wage quick."
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"I'll see you, Linda," he said, getting up.
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"Sure." A millimeter of white showed beneath each of her
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pupils. Sanpaku. "You watch your back, man."
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He nodded, anxious to be gone.
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He looked back as the plastic door swung shut behind him,
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saw her eyes reflected in a cage of red neon.
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Friday night on Ninsei.
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He passed yakitori stands and massage parlors, a franchised
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coffee shop called Beautiful Girl, the electronic thunder of an
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arcade. He stepped out of the way to let a dark-suited sarariman
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by, spotting the Mitsubishi-Genentech logo tattooed across the
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back of the man's right hand.
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Was it authentic? if that's for real, he thought, he's in for
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trouble. If it wasn't, served him right. M-G employees above
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a certain level were implanted with advanced microprocessors
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that monitored mutagen levels in the bloodstream. Gear like
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that would get you rolled in Night City, rolled straight into a
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black clinic.
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The sarariman had been Japanese, but the Ninsei crowd was
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a gaijin crowd. Groups of sailors up from the port, tense solitary
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tourists hunting pleasures no guidebook listed, Sprawl heavies
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showing off grafts and implants, and a dozen distinct species.
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of hustler, all swarming the street in an intricate dance of desire
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and commerce.
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There were countless theories explaining why Chiba City
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tolerated the Ninsei enclave, but Case tended toward the idea
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that the Yakuza might be preserving the place as a kind of
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historical park, a reminder of humble origins. But he also
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saw a certain sense in the notion that burgeoning technologies
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require outlaw zones, that Night City wasn't there for its inhabitants,
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but as a deliberately unsupervised playground for
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technology itself.
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Was Linda right, he wondered, staring up at the lights?
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Would Wage have him killed to make an example? It didn't
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make much sense, but then Wage dealt primarily in proscribed
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biologicals, and they said you had to be crazy to do that.
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But Linda said Wage wanted him dead. Case's primary
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insight into the dynamics of street dealing was that neither the
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buyer nor the seller really needed him. A middleman's business
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is to make himself a necessary evil. The dubious niche Case
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had carved for himself in the criminal ecology of Night City
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had beep cut out with lies, scooped out a night at a time with
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betrayal. Now, sensing that its walls were starting to crumble,
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he felt the edge of a strange euphoria.
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The week before, he'd delayed transfer of a synthetic glandular
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extract, retailing it for a wider margin than usual. He
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knew Wage hadn't liked that. Wage was his primary supplier,
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nine years in Chiba and one of the few gaijin dealers who'd
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Managed to forge links with the rigidly stratified criminal establishment
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beyond Night City's borders. Genetic materials and
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hormones trickled down to Ninsei along an intricate ladder of
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fronts and blinds. Somehow Wage had managed to trace something
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back, once, and now he enjoyed steady connections in a
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dozen cities.
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Case found himself staring through a shop window. The
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place sold small bright objects to the sailors. Watches, flicknives,
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lighters, pocket VTRs, Sims Tim decks, weighted man-
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riki chains, and shuriken. The shuriken had always fascinated
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him, steel stars with knife-sharp points. Some were chromed,
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others black, others treated with a rainbow surface like oil on
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water. But the chrome stars held his gaze. They were mounted
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against scarlet ultra suede with nearly invisible loops of nylon
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fish line, their centers stamped with dragons or yin yang symbols.
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They caught the street's neon and twisted it, and it came
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to Case that these were the stars under which he voyaged, his
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destiny spelled out in a constellation of cheap chrome.
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"Julie," he said to his stars. "Time to see old Julie. He'll
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know."
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Julius Deane was one hundred and thirty-five years old, his
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metabolism assiduously warped by a weekly fortune in serums
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and hormones. His primary hedge against aging was a yearly
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pilgrimage to Tokyo, where genetic surgeons re-set the code
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of his DNA, a procedure unavailable in Chiba. Then he'd fly
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to Hong-Kong and order the year's suits and shirts. Sex-less and
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inhumanly patient, his primary gratification seemed to lie in
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his devotion to esoteric forms of tailor-worship. Case had never
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seen him wear the same suit twice, although his wardrobe
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seemed to consist entirely of meticulous reconstructions of garments
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of the previous century. He affected prescription lenses,
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framed in spidery gold, ground from thin slabs of pink synthetic
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quartz and beveled like the mirrors in a Victorian doll house.
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His offices were located in a warehouse behind Ninsei, part
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of which seemed to have been sparsely decorated, years before,
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with a random collection of European furniture, as though
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Deane had once intended to use the place as his home. Neo-Aztec
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bookcases gathered dust against one wall of the room
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where Case waited. A pair of bulbous Disney-styled table lamps
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perched awkwardly on a low Kandinsky-look coffee table in
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scarlet-lacquered steel. A Dali clock hung on the wall between
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the bookcases, its distorted face sagging to the bare concrete
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floor. Its hands were holograms that altered to match the convolutions
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of the face as they rotated, but it never told the correct
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time. The room was stacked with white fiberglass shipping
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modules that gave off the tang of preserved ginger.
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"You seem to be clean, old son," said Deane's disembodied
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voice. "Do come in."
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Magnetic bolts thudded out of position around the massive
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imitation-rosewood door to the left of the bookcases. JULIUS
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DEANE IMPORT EXPORT was lettered across the plastic in
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peeling self-adhesive capitals. If the furniture scattered in
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Deane's makeshift foyer suggested the end of the past century,
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the office itself seemed to belong to its start.
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Deane's seamless pink face regarded Case from a pool of
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light cast by an ancient brass lamp with a rectangular shade of
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dark green glass. The importer was securely fenced behind a
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vast desk of painted steel, flanked on either side by tall, drawer
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Ed cabinets made of some sort of pale wood. The sort of
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thing, Case supposed, that had once been used to store written
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records of some kind. The desktop was littered with cassettes,
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scrolls of yellowed printout, and various parts of some sort of
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clockwork typewriter, a machine Deane never seemed to get
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around to reassembling.
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"What brings you around, boy?" Deane asked, offering
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Case a narrow bonbon wrapped in blue-and-white checked paper.
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"Try one. Tins Ting Djahe, the very best." Case refused
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the ginger, took a seat in a yawing wooden swivel chair, and
|
|
ran a thumb down the faded seam of one black jeans-leg. "Julie
|
|
I hear Wage wants to kill me."
|
|
"Ah. Well then. And where did you hear this, if I may?"
|
|
"People."
|
|
"People," Deane said, around a ginger bonbon. "What sort
|
|
of people? Friends?"
|
|
Case nodded.
|
|
"Not always that easy to know who your friends are, is it?"
|
|
"I do owe him a little money, Deane. He say anything to
|
|
you?"
|
|
"Haven't been in touch, of late." Then he sighed. "If I did
|
|
know, of course, I might not be in a position to tell you. Things
|
|
being what they are, you understand."
|
|
"Things?"
|
|
"He's an important connection Case."
|
|
"Yeah. He want to kill me, Julie?"
|
|
"Not that I know of." Deane shrugged. They might have
|
|
been discussing the price of ginger. "If it proves to be an
|
|
unfounded rumor, old son, you come back in a week or so and
|
|
I'll let you in on a little something out of Singapore."
|
|
"Out of the Nan Hai Hotel, Bencoolen Street?"
|
|
"Loose lips, old son!" Deane grinned. The steel desk was
|
|
jammed with a fortune in debugging gear.
|
|
"Be seeing you, Julie. I'll say hello to Wage."
|
|
|
|
Deane's fingers came up to brush the perfect knot in his
|
|
pale silk tie.
|
|
|
|
He was less than a block from Deane's office when it hit,
|
|
the sudden cellular awareness that someone was on his ass,
|
|
and very close.
|
|
The cultivation of a certain tame paranoia was something
|
|
Case took for granted. The trick lay in not letting it get out of
|
|
control. But that could be quite a trick, behind a stack of
|
|
octagons. He fought the adrenaline surge and composed his
|
|
narrow features in a mask of bored vacancy, pretending to let
|
|
the crowd carry him along. When he saw a darkened display
|
|
window, he managed to pause by it. The place was a surgical
|
|
boutique, closed for renovations. With his hands in the pockets
|
|
of his jacket, he stared through the glass at a flat lozenge of
|
|
vat grown flesh that lay on a carved pedestal of imitation jade.
|
|
The color of its skin reminded him of Zone's whores; it was
|
|
tattooed with a luminous digital display wired to a sub-cutaneous
|
|
chip. Why bother with the surgery, he found himself thinking,
|
|
while sweat coursed down his ribs, when you could just carry
|
|
the thing around in your pocket?
|
|
Without moving his head, he raised his eyes and studied
|
|
the reflection of the passing crowd.
|
|
There.
|
|
Behind sailors in short-sleeved khaki. Dark hair, mirrored
|
|
glasses, dark clothing, slender. . .
|
|
And gone.
|
|
Then Case was running, bent low, dodging between bodies.
|
|
|
|
"Rent me a gun, Shin?"
|
|
The boy smiled. "Two hour." They stood together in the
|
|
smell of fresh raw seafood at the rear of a Shiga sushi stall.
|
|
"You come back, two hour."
|
|
"I need one now, man. Got anything right now?"
|
|
Shin rummaged behind empty two-liter cans that had once
|
|
been filled with powdered horseradish. He produced a slender
|
|
package wrapped in gray plastic. "Taser. One hour, twenty
|
|
New Yen. Thirty deposit."
|
|
"Shit. I don't need that. I need a gun. Like I maybe wanna
|
|
shoot somebody, understand?"
|
|
The waiter shrugged, replacing the taser behind the horseradish
|
|
cans. "Two hour."
|
|
He went into the shop without bothering to glance at the
|
|
display of shuriken. He'd never thrown one in his life.
|
|
He bought two packs of Yeheyuans with a Mitsubishi Bank
|
|
chip that gave his name as Charles Derek May. It beat Truman
|
|
Starr, the best he'd been able to do for a passport.
|
|
The Japanese woman behind the terminal looked like she
|
|
had a few years on old Deane, none of them with the benefit
|
|
of science. He took his slender roll of New Yen out of his
|
|
pocket and showed it to her. "I want to buy a weapon."
|
|
She gestured in the direction of a case filled with knives.
|
|
"No," he said, "I don't like knives."
|
|
She brought an oblong box from beneath the counter. The
|
|
lid was yellow cardboard, stamped with a crude image of a
|
|
coiled cobra with a swollen hood. Inside were eight identical
|
|
tissue-wrapped cylinders. He watched while mottled brown
|
|
fingers stripped the paper from one. She held the thing up for
|
|
him to examine, a dull steel tube with a leather thong at one
|
|
end and a small bronze pyramid at the other. She gripped the
|
|
tube with one hand, the pyramid between her other thumb and
|
|
forefinger, and pulled. Three oiled, telescoping segments of
|
|
tightly wound coil spring slid out and locked. "Cobra," she said.
|
|
|
|
Beyond the neon shudder of Ninsei, the sky was that mean
|
|
shade of gray. The air had gotten worse; it seemed to have
|
|
teeth tonight, and half the crowd wore filtration masks. Case
|
|
had spent ten minutes in a urinal, trying to discover a convenient
|
|
way to conceal his cobra; finally he'd settled for tucking the
|
|
handle into the waistband of his jeans, with the tube slanting
|
|
across his stomach. The pyramidal striking tip rode between
|
|
his ribcage and the lining of his windbreaker. The thing felt
|
|
like it might clatter to the pavement with his next step, but it
|
|
made him feel better.
|
|
The Chat wasn't really a dealing bar, but on weeknights it
|
|
attracted a related clientele. Fridays and Saturdays were different.
|
|
The regulars were still there, most of them, but they
|
|
faded behind an influx of sailors and the specialists who preyed
|
|
on diem. As Case pushed through the doors, he looked for
|
|
Ratz, but the bartender wasn't in sight. Lonny Zone, the bar's
|
|
resident pimp, was observing with glazed fatherly interest as
|
|
one of his girls went to work on a young sailor. Zone was
|
|
addicted to a brand of hypnotic the Japanese called Cloud
|
|
Dancers. Catching the pimp's eye, Case beckoned him to the
|
|
bar. Zone came drifting through the crowd in slow motion, his
|
|
long face slack and placid.
|
|
"You seen Wage tonight, Lonny?"
|
|
Zone regarded him with his usual calm. He shook his head.
|
|
"You sure, man?"
|
|
"Maybe in the Namban. Maybe two hours ago."
|
|
"Got some Joeboys with him? One of 'em thin, dark hair,
|
|
maybe a black jacket?"
|
|
"No," Zone said at last, his smooth forehead creased to
|
|
indicate the effort it cost him to recall so much pointless detail.
|
|
"Big boys. Graftees." Zone's eyes showed very little white and
|
|
less iris; under the drooping lids, his pupils were dilated and
|
|
enormous. He stared into Case's face for a long time, then
|
|
lowered his gaze. He saw the bulge of the steel whip. "Cobra,"
|
|
he said, and raised an eyebrow. "You wanna fuck somebody
|
|
up?"
|
|
"See you, Lonny." Case left the bar.
|
|
|
|
His tail was back. He was sure of it. He felt a stab of elation
|
|
the octagons and adrenaline mingling with something else.
|
|
You're enjoying this, he thought; you're crazy.
|
|
Because, in some weird and very approximate way, it was
|
|
like a run in the matrix. Get just wasted enough, find yourself
|
|
in some desperate but strangely arbitrary kind of trouble, and
|
|
it was possible to see Ninsei as a field of data, the way the
|
|
matrix had once reminded him of proteins linking to distinguish
|
|
cell specialties. Then you could throw yourself into a high-speed
|
|
drift and skid, totally engaged but set apart from it all, and all
|
|
around you the dance of biz, information interacting, data made
|
|
flesh in the mazes of the black market....
|
|
Go it, Case, he told himself. Suck 'em in. Last thing they'll
|
|
expect. He was half a block from the games arcade where he'd
|
|
first met Linda Lee.
|
|
He bolted across Ninsei, scattering a pack of strolling sailors.
|
|
One of them screamed after him in Spanish. Then he was
|
|
through the entrance, the sound crashing over him like surf,
|
|
subsonics throbbing in the pit of his stomach. Someone scored
|
|
a ten-megaton hit on Tank War Europa, a simulated air burst
|
|
drowning the arcade in white sound as a lurid hologram fireball
|
|
mushroomed overhead. He cut to the right and loped up a flight
|
|
of unpainted chip board stairs. He'd come here once with Wage,
|
|
to discuss a deal in proscribed hormonal triggers with a man
|
|
called Matsuga. He remembered the hallway, its stained matting,
|
|
the row of identical doors leading to tiny office cubicles.
|
|
One door was open now. A Japanese girl in a sleeveless black
|
|
t-shirt glanced up from a white terminal, behind her head a
|
|
travel poster of Greece, Aegian blue splashed with streamlined
|
|
ideograms.
|
|
"Get your security up here," Case told her.
|
|
Then he sprinted down the corridor, out of her sight. The
|
|
last two doors were closed and, he assumed, locked. He spun
|
|
and slammed the sole of his nylon running shoe into the blue-lacquered
|
|
composition door at the far end. It popped, cheap
|
|
hardware falling from the splintered frame. Darkness there, the
|
|
white curve of a terminal housing. Then he was on the door
|
|
to its right, both hands around the transparent plastic knob,
|
|
leaning in with everything he had. Something snapped, and he
|
|
was inside. This was where he and Wage had met with Matsuga,
|
|
but whatever front company Matsuga had operated was
|
|
long gone. No terminal, nothing. Light from the alley behind
|
|
the arcade, filtering in through soot blown plastic. He made out
|
|
a snake like loop of fiber optics protruding from a wall socket,
|
|
a pile of discarded food containers, and the blade less nacelle
|
|
of an electric fan.
|
|
The window was a single pane of cheap plastic. He shrugged
|
|
out of his jacket, bundled it around his right hand, and punched.
|
|
It split, requiring two more blows to free it from the frame.
|
|
Over the muted chaos of the games, an alarm began to cycle,
|
|
triggered either by the broken window or by the girl at the head
|
|
of the corridor.
|
|
Case turned, pulled his jacket on, and flicked the cobra to
|
|
full extension.
|
|
With the door closed, he was counting on his tail to assume
|
|
he'd gone through the one he'd kicked half off its hinges. The
|
|
cobra's bronze pyramid began to bob gently, the spring-steel
|
|
shaft amplifying his pulse.
|
|
Nothing happened. There was only the surging of the alarm,
|
|
the crashing of the games, his heart hammering. When the fear
|
|
came, it was like some half-forgotten friend. Not the cold
|
|
rapid mechanism of the dex-paranoia, but simple animal fear.
|
|
He'd lived for so long on a constant edge of anxiety that he'd
|
|
almost forgotten what real fear was.
|
|
This cubicle was the sort of place where people died. He
|
|
might die here. They might have guns....
|
|
A crash, from the far end of the corridor. A man's voice,
|
|
shouting something in Japanese. A scream, shrill terror. Another
|
|
crash.
|
|
And footsteps, unhurried, coming closer.
|
|
Passing his closed door. Pausing for the space of three rapid
|
|
beats of his heart. And returning. One, two, three. A bootheel
|
|
scraped the matting.
|
|
The last of his octagon-induced bravado collapsed. He
|
|
snapped the cobra into its handle and scrambled for the window,
|
|
blind with fear, his nerves screaming. He was up, out, and
|
|
falling, all before he was conscious of what he'd done. The
|
|
impact with pavement drove dull rods of pain through his shins.
|
|
A narrow wedge of light from a half-open service hatch
|
|
framed a heap of discarded fiber optics and the chassis of a
|
|
junked console. He'd fallen face forward on a slab of soggy
|
|
chip board, he rolled over, into the shadow of the console. The
|
|
cubicle's window was a square of faint light. The alarm still
|
|
oscillated, louder here, the rear wall dulling the roar of the
|
|
games.
|
|
A head appeared, framed in the window, back lit by the
|
|
fluorescents in the corridor, then vanished. It returned, but he
|
|
still couldn't read the features. Glint of silver across the eyes.
|
|
"Shit," someone said, a woman, in the accent of the northern
|
|
Sprawl.
|
|
The head was gone. Case lay under the console for a long
|
|
count of twenty, then stood up. The steel cobra was still in his
|
|
hand, and it took him a few seconds to remember what it was.
|
|
He limped away down the alley, nursing his left ankle.
|
|
|
|
Shin's pistol was a fifty-year-old Vietnamese imitation of
|
|
a South American copy of a Walther PPK, double-action on
|
|
the first shot, with a very rough pull. It was chambered for .22
|
|
long rifle, and Case would've preferred lead azide explosives
|
|
to the simple Chinese hollow points Shin had sold him. Still
|
|
it was a handgun and nine rounds of ammunition, and as he
|
|
made his way down Shiga from the sushi stall he cradled it in
|
|
his jacket pocket. The grips were bright red plastic molded in
|
|
a raised dragon motif, something to run your thumb across
|
|
in the dark. He'd consigned the cobra to a dump canister on
|
|
Ninsei and dry-swallowed another octagon.
|
|
The pill lit his circuits and he rode the rush down Shiga to
|
|
Ninsei, then over to Baiitsu. His tail, he'd decided, was gone
|
|
and that was fine. He had calls to make, biz to transact, and
|
|
it wouldn't wait. A block down Baiitsu, toward the port, stood
|
|
a featureless ten-story office building in ugly yellow brick. Its
|
|
windows were dark now, but a faint glow from the roof was
|
|
visible if you craned your neck. An unlit neon sign near the
|
|
main entrance offered CHEAP HOTEL under a cluster of ideograms.
|
|
If the place had another name, Case didn't know it; it
|
|
was always referred to as Cheap Hotel. You reached it through
|
|
an alley off Baiitsu, where an elevator waited at the foot of a
|
|
transparent shaft. The elevator, like Cheap Hotel, was an afterthought,
|
|
lashed to the building with bamboo and epoxy. Case
|
|
climbed into the plastic cage and used his key, an unmarked
|
|
length of rigid magnetic tape.
|
|
Case had rented a coffin here, on a weekly basis, since he'd
|
|
arrived in Chiba, but he'd never slept in Cheap Hotel. He slept
|
|
in cheaper places.
|
|
The elevator smelled of perfume and cigarettes; the sides
|
|
of the cage was scratched and thumb-smudged. As it passed the
|
|
fifth floor, he saw the lights of Ninsei. He drummed his fingers
|
|
against the pistol grip as the cage slowed with a gradual hiss.
|
|
As always, it came to a full stop with a violent jolt, but he
|
|
was ready for it. He stepped out into the courtyard that served
|
|
the place as some combination of lobby and lawn.
|
|
Centered in the square carpet of green plastic turf, a lapanese
|
|
teenager sat behind a C-shaped console, reading a textbook.
|
|
The white fiberglass coffins were racked in a framework of
|
|
industrial scaffolding. Six tiers of coffins, ten coffins on a side.
|
|
|
|
Case nodded in the boy's direction and limped across the plastic
|
|
grass to the nearest ladder. The compound was roofed with
|
|
cheap laminated matting that rattled in a strong wind and leaked
|
|
when it rained, but the coffins were reasonably difficult to open
|
|
without a key.
|
|
The expansion-grate catwalk vibrated with his weight as he
|
|
edged his way along the third tier to Number 92. The coffins
|
|
were three meters long, the oval hatches a meter wide and just
|
|
under a meter and a half tall. He fed his key into the slot and
|
|
waited for verification from the house computer. Magnetic bolts
|
|
thudded reassuringly and the hatch rose vertically with a creak
|
|
of springs. Fluorescents flickered on as he crawled in, pulling
|
|
the hatch shut behind him and slapping the panel that activated
|
|
the manual latch.
|
|
There was nothing in Number 92 but a standard Hitachi
|
|
pocket computer and a small white styrofoam cooler chest. The
|
|
cooler contained the remains of three ten-kilo slabs of dry ice
|
|
carefully wrapped in paper to delay evaporation, and a spun
|
|
aluminum lab flask. Crouching on the brown temper foam slab
|
|
that was both floor and bed, Case took Shin's .22 from his
|
|
pocket and put it on top of the cooler. Then he took off his
|
|
jacket. The coffin's terminal was molded into one concave wall,
|
|
opposite a panel listing house rules in seven languages. Case
|
|
took the pink handset from its cradle and punched a Hong-Kong
|
|
number from memory. He let it ring five times, then hung up.
|
|
His buyer for the three megabytes of hot RAM in the Hitachi
|
|
wasn't taking calls.
|
|
He punched a Tokyo number in Shinjuku.
|
|
A woman answered, something in Japanese.
|
|
"Snake Man there?"
|
|
"Very good to hear from you," said Snake Man, coming in
|
|
on an extension. "I've been expecting your call."
|
|
"I got the music you wanted." Glancing at the cooler.
|
|
"I'm very glad to hear that. We have a cash flow problem.
|
|
Can you front?"
|
|
"Oh, man, I really need the money bad...."
|
|
Snake Man hung up.
|
|
"You shit " Case said to the humming receiver. He stared
|
|
at the cheap little pistol.
|
|
"Iffy," he said, "it's all looking very iffy tonight."
|
|
|
|
Case walked into the Chat an hour before dawn, both hands
|
|
in the pockets of his jacket; one held the rented pistol, the other
|
|
the aluminum flask.
|
|
Ratz was at a rear table, drinking Apollonaris water from
|
|
a beer pitcher, his hundred and twenty kilos of doughy flesh
|
|
tilted against the wall on a creaking chair. A Brazilian kid
|
|
called Kurt was on the bar, tending a thin crowd of mostly
|
|
silent drunks. Ratz's plastic arm buzzed as he raised the pitcher
|
|
and drank. His shaven head was filmed with sweat. "You look
|
|
bad, friend artiste," he said, flashing the wet ruin of his teeth.
|
|
"I'm doing just fine," said Case, and grinned like a skull.
|
|
"Super fine." He sagged into the chair opposite Ratz, hands
|
|
still in his pockets.
|
|
"And you wander back and forth in this portable bombshelter
|
|
built of booze and ups, sure. Proof against the grosser emotions,
|
|
yes?"
|
|
"Why don't you get off my case, Ratz? You seen Wage?"
|
|
"Proof against fear and being alone," the bartender continued.
|
|
"Listen to the fear. Maybe it's your friend."
|
|
"You hear anything about a fight in the arcade tonight, Ratz?
|
|
Somebody hurt?"
|
|
"Crazy cut a security man." He shrugged. "A girl, they
|
|
say."
|
|
"I gotta talk to Wage, Ratz, I. . ."
|
|
"Ah." Ratz's mouth narrowed, compressed into a single
|
|
line. He was looking past Case, toward the entrance. "I think
|
|
you are about to."
|
|
Case had a sudden flash of the shuriken in their window.
|
|
The speed sang in his head. The pistol in his hand was slippery
|
|
with sweat.
|
|
"Herr Wage," Ratz said, slowly extending his pink manipulator
|
|
as if he expected it to be shaken. "How great a pleasure.
|
|
Too seldom do you honor us."
|
|
Case turned his head and looked up into Wage's face. It
|
|
was a tanned and forgettable mask. The eyes were vat grown
|
|
sea-green Nikon transplants. Wage wore a suit of gunmetal
|
|
silk and a simple bracelet of platinum on either wrist. He was
|
|
flanked by his Joe boys, nearly identical young men, their arms
|
|
and shoulders bulging with grafted muscle.
|
|
|
|
"How you doing, Case?"
|
|
"Gentlemen," said Ratz, picking up the table's heaped ashtray
|
|
in his pink plastic claw, "I want no trouble here." The
|
|
ashtray was made of thick, shatterproof plastic, and advertised
|
|
Tsingtao beer. Ratz crushed it smoothly, butts and shards of
|
|
green plastic cascading onto the table top. "You understand?"
|
|
"Hey, sweetheart," said one of the Joe boys, "you wanna try
|
|
that thing on me?"
|
|
"Don't bother aiming for the legs, Kurt," Ratz said, his tone
|
|
conversational. Case glanced across the room and saw the Brazilian
|
|
standing on the bar, aiming a Smith & Wesson riot gun
|
|
at the trio. The thing's barrel, made of paper-thin alloy wrapped
|
|
with a kilometer of glass filament, was wide enough to swallow
|
|
a fist. The skeletal magazine revealed five fat orange cartridges,
|
|
subsonic sandbag jellies.
|
|
"Technically nonlethal," said Ratz.
|
|
"Hey, Ratz," Case said, "I owe you one."
|
|
The bartender shrugged. "Nothing, you owe me. These,"
|
|
and he glowered at Wage and the Joe boys, "should know better.
|
|
You don't take anybody off in the Chatsubo."
|
|
Wage coughed. "So who's talking about taking anybody
|
|
off? We just wanna talk business. Case and me, we work
|
|
together."
|
|
Case pulled the .22 out of his pocket and level led it at
|
|
Wage's crotch. "I hear you wanna do me." Ratz's pink claw
|
|
closed around the pistol and Case let his hand go limp.
|
|
"Look, Case, you tell me what the fuck is going on with
|
|
you, you wig or something? What's this shit I'm trying to kill
|
|
you?" Wage turned to the boy on his left. "You two go back
|
|
to the Namban. Wait for me."
|
|
Case watched as they crossed the bar, which was now entirely
|
|
deserted except for Kurt and a drunken sailor in khakis,
|
|
who was curled at the foot of a barstool. The barrel of the
|
|
Smith & Wesson tracked the two to the door, then swung back
|
|
to cover Wage. The magazine of Case's pistol clattered on the
|
|
table. Ratz held the gun in his claw and pumped the round out
|
|
of the chamber.
|
|
"Who told you I was going to hit you, Case?" Wage asked.
|
|
Linda.
|
|
"Who told you, man? Somebody trying to set you up?"
|
|
The sailor moaned and vomited explosively.
|
|
"Get him out of here," Ratz called to Kurt, who was sitting
|
|
on the edge of the bar now, the Smith & Wesson across his
|
|
lap, lighting a cigarette.
|
|
Case felt the weight of the night come down on him like a
|
|
bag of wet sand settling behind his eyes. He took the flask out
|
|
of his pocket and handed it to Wage. "All I got. Pituitaries.
|
|
Get you five hundred if you move it fast. Had the rest of my
|
|
roll in some RAM, but that's gone by now."
|
|
"You okay, Case?" The flask had already vanished behind
|
|
a gunmetal lapel. "I mean, fine, this'll square us, but you look
|
|
bad. Like hammered shit. You better go somewhere and sleep."
|
|
"Yeah." He stood up and felt the Chat sway around him.
|
|
"Well, I had this fifty, but I gave it to somebody." He giggled.
|
|
He picked up the .22's magazine and the one loose cartridge
|
|
and dropped them into one pocket, then put the pistol in the
|
|
other. "I gotta see Shin, get my deposit back."
|
|
"Go home," said Ratz, shifting on the creaking chair with
|
|
something like embarrassment. "Artiste. Go home."
|
|
He felt them watching as he crossed the room and shouldered
|
|
his way past the plastic doors.
|
|
|
|
"Bitch," he said to the rose tint over Shiga. Down on Ninsei
|
|
the holograms were vanishing like ghosts, and most of the neon
|
|
was already cold and dead. He sipped thick black coffee from
|
|
a street vendor's foam thimble and watched the sun come up.
|
|
"You fly away, honey. Towns like this are for people who like
|
|
the way down." But that wasn't it, really, and he was finding
|
|
it increasingly hard to maintain the sense of betrayal. She just
|
|
wanted a ticket home, and the RAM in his Hitachi would buy
|
|
it for her, if she could find the right fence. And that business
|
|
with the fifty; she'd almost turned it down, knowing she was
|
|
about to rip him for the rest of what he had.
|
|
When he climbed out of the elevator, the same boy was on
|
|
the desk. Different textbook. "Good buddy," Case called across
|
|
the plastic turf, "you don't need to tell me. I know already.
|
|
Pretty lady came to visit, said she had my key. Nice little tip
|
|
for you, say fifty New ones?" The boy put down his book.
|
|
"Woman," Case said, and drew a line across his forehead with
|
|
his thumb. "Silk." He smiled broadly. The boy smiled back,
|
|
nodded. "Thanks, ass hole," Case said.
|
|
On the catwalk, he had trouble with the lock. She'd messed
|
|
it up somehow when she'd fiddled it, he thought. Beginner.
|
|
He knew where to rent a black box that would open anything
|
|
in Cheap Hotel. Fluorescents came on as he crawled in.
|
|
"Close the hatch real slow, friend. You still got that Saturday
|
|
night special you rented from the waiter?"
|
|
She sat with her back to the wall, at the far end of the coffin.
|
|
She had her knees up, resting her wrists on them, the pepper box
|
|
muzzle of a flechette pistol emerged from her hands.
|
|
"That you in the arcade?" He pulled the hatch down.
|
|
"Where's Linda?"
|
|
"Hit that latch switch."
|
|
He did.
|
|
"That your girl? Linda?"
|
|
He nodded.
|
|
"She's gone. Took your Hitachi. Real nervous kid. What
|
|
about the gun, man?" She wore mirrored glasses. Her clothes
|
|
were black, the heels of black boots deep in the temper foam.
|
|
"I took it back to Shin, got my deposit. Sold his bullets
|
|
back to him for half what I paid. You want the money?"
|
|
"No."
|
|
"Want some dry ice? All I got, right now."
|
|
"What got into you tonight? Why'd you pull that scene at
|
|
the arcade? I had to mess up this rentacop came after me with
|
|
nun chucks. "
|
|
"Linda said you were gonna kill me."
|
|
"Linda said? I never saw her before I came up here."
|
|
"You aren't with Wage?"
|
|
She shook her head. He realized that the glasses were surgically
|
|
inset, sealing her sockets. The silver lenses seemed to
|
|
grow from smooth pale skin above her cheekbones, framed by
|
|
dark hair cut in a rough shag. The fingers curled around the
|
|
fletcher were slender, white, tipped with polished burgundy.
|
|
The nails looked artificial. "I think you screwed up, Case. I
|
|
showed up and you just fit me right into your reality picture."
|
|
"So what do you want, lady?" He sagged back against the
|
|
hatch.
|
|
"You. One live body, brains still somewhat intact. Molly,
|
|
Case. My name's Molly. I'm collecting you for the man I work
|
|
for. Just wants to talk, is all. Nobody wants to hurt you "
|
|
"That's good."
|
|
"'Cept I do hurt people sometimes, Case. I guess it's just
|
|
the way I'm wired." She wore tight black glove leather jeans
|
|
and a bulky black jacket cut from some matte fabric that seemed
|
|
to absorb light. "If I put this dart gun away, will you be easy,
|
|
Case? You look like you like to take stupid chances."
|
|
"Hey, I'm very easy. I'm a pushover, no problem."
|
|
"That's fine, man." The fletcher vanished into the black
|
|
jacket. "Because you try to fuck around with me, you'll be
|
|
taking one of the stupidest chances of your whole life."
|
|
She held out her hands, palms up, the white fingers slightly
|
|
spread, and with a barely audible click, ten double-edged, four
|
|
centimeter scalpel blades slid from their housings beneath the
|
|
burgundy nails.
|
|
She smiled. The blades slowly withdrew.
|
|
|
|
After a year of coffins, the room on the twenty-fifth floor
|
|
of the Chiba Hilton seemed enormous. It was ten meters by
|
|
eight, half of a suite. A white Braun coffee maker steamed on
|
|
a low table by the sliding glass panels that opened onto a narrow
|
|
balcony.
|
|
"Get some coffee in you. Look like you need it." She took
|
|
off her black jacket, the fletcher hung beneath her arm in a
|
|
black nylon shoulder rig. She wore a sleeveless gray pullover
|
|
with plain steel zips across each shoulder. Bulletproof, Case
|
|
decided, slopping coffee into a bright red mug. His arms and
|
|
legs felt like they were made out of wood.
|
|
"Case." He looked up, seeing the man for the first time.
|
|
"My name is Armitage." The dark robe was open to the waist,
|
|
the broad chest hairless and muscular, the stomach flat and
|
|
hard. Blue eyes so pale they made Case think of bleach. "Sun's
|
|
up, Case. This is your lucky day, boy."
|
|
Case whipped his arm sideways and the man easily ducked
|
|
the scalding coffee. Brown stain running down the imitation
|
|
|
|
rice paper wall. He saw the angular gold ring through the left
|
|
lobe. Special Forces. The man smiled.
|
|
"Get your coffee, Case," Molly said. "You're okay, but
|
|
you're not going anywhere 'til Armitage has his say." She sat
|
|
cross legged on a silk futon and began to fieldstrip the fletcher
|
|
without bothering to look at it. Twin mirrors tracking as he
|
|
crossed to the table and refilled his cup.
|
|
"Too young to remember the war, aren't you, Case?" Armitage
|
|
ran a large hand back through his cropped brown hair.
|
|
A heavy gold bracelet flashed on his wrist. "Leningrad, Kiev,
|
|
Siberia. We invented you in Siberia, Case."
|
|
"What's that supposed to mean?"
|
|
"Screaming Fist, Case. You've heard the name."
|
|
"Some kind of run, wasn't it? Tried to burn this Russian
|
|
nexus with virus programs. Yeah, I heard about it. And nobody
|
|
got out."
|
|
He sensed abrupt tension. Armitage walked to the window
|
|
and looked out over Tokyo Bay. "That isn't true. One unit
|
|
made it back to Helsinki, Case."
|
|
Case shrugged, sipped coffee.
|
|
"You're a console cowboy. The prototypes of the programs
|
|
you use to crack industrial banks were developed for Screaming
|
|
Fist. For the assault on the Kirensk computer nexus. Basic
|
|
module was a Nightwing micro light, a pilot, a matrix deck, a
|
|
jockey. We were running a virus called Mole. The Mole series
|
|
was the first generation of real intrusion programs."
|
|
"Icebreakers," Case said, over the rim of the red mug.
|
|
"Ice from ICE, intrusion countermeasures electronics."
|
|
"Problem is, mister, I'm no jockey now, so I think I'll just
|
|
be going...."
|
|
"I was there, Case; I was there when they invented your
|
|
kind."
|
|
"You got zip to do with me and my kind, buddy. You're
|
|
rich enough to hire expensive razor girls to haul my ass up here,
|
|
is all. I'm never gonna punch any deck again, not for you or
|
|
anybody else." He crossed to the window and looked down.
|
|
"That's where I live now."
|
|
"Our profile says you're trying to con the street into killing
|
|
you when you're not looking."
|
|
"Profile?"
|
|
"We've built up a detailed model. Bought a go-to for each
|
|
of your aliases and ran the skim through some military software.
|
|
You're suicidal, Case. The model gives you a month on the
|
|
outside. And our medical projection says you'll need a new
|
|
pancreas inside a year."
|
|
"We." He met the faded blue eyes. "We who?"
|
|
"What would you say if I told you we could correct your
|
|
neural damage, Case'?" Armitage suddenly looked to Case as
|
|
if he were carved from a block of metal; inert, enormously
|
|
heavy. A statue. He knew now that this was a dream, and that
|
|
soon he'd wake. Armitage wouldn't speak again. Case's dreams
|
|
always ended in these freeze frames, and now this one was
|
|
over.
|
|
"What would you say, Case?"
|
|
Case looked out over the Bay and shivered.
|
|
"I'd say you were full of shit."
|
|
Armitage nodded.
|
|
"Then I'd ask what your terms were."
|
|
"Not very different than what you're used to, Case."
|
|
"Let the man get some sleep, Armitage," Molly said from
|
|
her futon, the components of the fletcher spread on the silk
|
|
like some expensive puzzle. "He's coming apart at the seams."
|
|
"Terms," Case said, "and now. Right now."
|
|
He was still shivering. He couldn't stop shivering.
|
|
|
|
The clinic was nameless, expensively appointed, a cluster
|
|
of sleek pavilions separated by small formal gardens. He remembered
|
|
the place from the round he'd made his first month
|
|
in Chiba.
|
|
"Scared, Case. You're real scared." It was Sunday afternoon
|
|
and he stood with Molly in a sort of courtyard. White boulders,
|
|
a stand of green bamboo, black gravel raked into smooth waves.
|
|
A gardener, a thing like a large metal crab, was tending the
|
|
bamboo.
|
|
"It'll work, Case. You got no idea, the kind of stuff Armitage
|
|
has. Like he's gonna pay these nerve boys for fixing
|
|
you with the program he's giving them to tell them how to do
|
|
it. He'll put them three years ahead of the competition. You
|
|
got any idea what that's worth?" She hooked thumbs in the
|
|
belt loops of her leather jeans and rocked backward on the
|
|
lacquered heels of cherry red cowboy boots. The narrow toes
|
|
were sheathed in bright Mexican silver. The lenses were empty
|
|
quicksilver, regarding him with an insect calm.
|
|
"You're street samurai," he said. "How long you work for
|
|
him?"
|
|
"Couple of months."
|
|
"What about before that?"
|
|
"For somebody else. Working girl, you know?"
|
|
He nodded.
|
|
"Funny, Case."
|
|
"What's funny?"
|
|
"It's like I know you. That profile he's got. I know how
|
|
you're wired."
|
|
"You don't know me, sister."
|
|
"You're okay, Case. What got you, it's just called bad luck."
|
|
"How about him? He okay, Molly?" The robot crab moved
|
|
toward them, picking its way over the waves of gravel. Its
|
|
bronze carapace might have been a thousand years old. When
|
|
it was within a meter of her boots, it fired a burst of light, then
|
|
froze for an instant, analyzing data obtained.
|
|
"What I always think about first, Case, is my own sweet
|
|
ass." The crab had altered course to avoid her, but she kicked
|
|
it with a smooth precision, the silver boot-tip clanging on the
|
|
carapace. The thing fell on its back, but the bronze limbs soon
|
|
righted it.
|
|
Case sat on one of the boulders, scuffing at the symmetry
|
|
of the gravel waves with the toes of his shoes. He began to
|
|
search his pockets for cigarettes. "In your shirt," she said.
|
|
"You want to answer my question?" He fished a wrinkled
|
|
Yeheyuan from the pack and she lit it for him with a thin slab
|
|
of German steel that looked as though it belonged on an operating
|
|
table.
|
|
"Well, I'll tell you, the man's definitely on to something.
|
|
He's got big money now, and he's never had it before, and he
|
|
gets more all the time." Case noticed a certain tension around
|
|
her mouth. "Or maybe, maybe something's on to him...."
|
|
She shrugged.
|
|
"What's that mean?"
|
|
"I don't know, exactly. I know I don't know who or what
|
|
we're really working for."
|
|
He stared at the twin mirrors. Leaving the Hilton, Saturday
|
|
morning, he'd gone back to Cheap Hotel and slept for ten hours .
|
|
Then he'd taken a long and pointless walk along the port's
|
|
security perimeter, watching the gulls turn circles beyond the
|
|
chain link. If she'd followed him, she'd done a good job of it.
|
|
He'd avoided Night City. He'd waited in the coffin for Armitage's
|
|
call. Now this quiet courtyard, Sunday afternoon, this
|
|
girl with a gymnast's body and conjurer's hands.
|
|
"If you'll come in now, sir, the anesthetist is waiting to
|
|
meet you." The technician bowed, turned, and reentered the
|
|
clinic without waiting to see if Case would follow.
|
|
|
|
Cold steel odor. Ice caressed his spine.
|
|
Lost, so small amid that dark, hands grown cold, body image
|
|
fading down corridors of television sky.
|
|
Voices.
|
|
Then black fire found the branching tributaries of the nerves,
|
|
pain beyond anything to which the name of pain is given....
|
|
|
|
Hold still. Don't move.
|
|
And Ratz was there, and Linda Lee, Wage and Lonny Zone,
|
|
a hundred faces from the neon forest, sailors and hustlers and
|
|
whores, where the sky is poisoned silver, beyond chain link
|
|
and the prison of the skull.
|
|
Goddamn don't you move.
|
|
Where the sky faded from hissing static to the non color of
|
|
the matrix, and he glimpsed the shuriken, his stars.
|
|
"Stop it, Case, I gotta find your vein!"
|
|
She was straddling his chest, a blue plastic syrette in one
|
|
hand. "You don't lie still, I'll slit your fucking throat. You're
|
|
still full of endorphin inhibitors."
|
|
|
|
He woke and found her stretched beside him in the dark.
|
|
His neck was brittle, made of twigs. There was a steady
|
|
pulse of pain midway down his spine. Images formed and
|
|
reformed: a flickering montage of the Sprawl's towers and
|
|
ragged Fuller domes, dim figures moving toward him in the
|
|
shade beneath a bridge or overpass....
|
|
"Case? It's Wednesday, Case." She moved, rolling over,
|
|
reaching across him. A breast brushed his upper arm. He heard
|
|
her tear the foil seal from a bottle of water and drink. "Here."
|
|
She put the bottle in his hand. "I can see in the dark, Case.
|
|
Micro channel image-amps in my glasses."
|
|
"My back hurts."
|
|
"That's where they replaced your fluid. Changed your blood
|
|
too. Blood 'cause you got a new pancreas thrown into the deal.
|
|
And some new tissue patched into your liver. The nerve stuff
|
|
I dunno. Lot of injections. They didn't have to open anything
|
|
up for the main show." She settled back beside him. "It's
|
|
2:43:12 AM, Case. Got a readout chipped into my optic nerve."
|
|
He sat up and tried to sip from the bottle. Gagged, coughed,
|
|
lukewarm water spraying his chest and thighs.
|
|
"I gotta punch deck, ' he heard himself say. He was groping
|
|
for his clothes. "I gotta know...."
|
|
She laughed. Small strong hands gripped his upper arms.
|
|
"Sorry, hotshot. Eight day wait. Your nervous system would
|
|
fall out on the floor if you jacked in now. Doctor's orders.
|
|
Besides, they figure it worked. Check you in a day or so." He
|
|
lay down again.
|
|
"Where are we?"
|
|
"Home. Cheap Hotel."
|
|
"Where's Armitage?"
|
|
"Hilton, selling beads to the natives or something. We're
|
|
out of here soon, man. Amsterdam, Paris, then back to the
|
|
Sprawl." She touched his shoulder. "Roll over. I give a good
|
|
massage."
|
|
He lay on his stomach, arms stretched forward, tips of his
|
|
fingers against the walls of the coffin. She settled over the
|
|
small of his back, kneeling on the temper foam, the leather
|
|
jeans cool against his skin. Her fingers brushed his neck.
|
|
"How come you're not at the Hilton?"
|
|
She answered him by reaching back, between his thighs
|
|
and gently encircling his scrotum with thumb and forefinger.
|
|
She rocked there for a minute in the dark, erect above him,
|
|
her other hand on his neck. The leather of her jeans creaked
|
|
softly with the movement. Case shifted, feeling himself harden
|
|
against the temper foam.
|
|
His head throbbed, but the brittleness in his neck seemed
|
|
to retreat. He raised himself on one elbow, rolled, sank back
|
|
against the foam, pulling her down, licking her breasts, small
|
|
hard nipples sliding wet across his cheek. He found the zip on
|
|
the leather jeans and tugged it down.
|
|
"It's okay," she said, "I can see." Sound of the jeans peeling
|
|
down. She struggled beside him until she could kick them away.
|
|
She threw a leg across him and he touched her face. Unexpected
|
|
hardness of the implanted lenses. "Don't," she said, "fingerprints."
|
|
|
|
Now she straddled him again, took his hand, and closed it
|
|
over her, his thumb along the cleft of her buttocks, his fingers
|
|
spread across the labia. As she began to lower herself, the
|
|
images came pulsing back, the faces, fragments of neon arriving
|
|
and receding. She slid down around him and his back arched
|
|
convulsively. She rode him that way, impaling herself, slipping
|
|
down on him again and again, until they both had come, his
|
|
orgasm flaring blue in a timeless space, a vastness like the
|
|
matrix, where the faces were shredded and blown away down
|
|
hurricane corridors, and her inner thighs were strong and wet
|
|
against his hips.
|
|
|
|
On Nisei, a thinner, weekday version of the crowd went
|
|
through the motions of the dance. Waves of sound rolled from
|
|
the arcades and pachinko parlors. Case glanced into the Chat
|
|
and saw Zone watching over his girls in the warm, beer-smelling
|
|
twilight. Ratz was tending bar.
|
|
"You seen Wage, Ratz?"
|
|
"Not tonight." Ratz made a point of raising an eyebrow at
|
|
Molly.
|
|
"You see him, tell him I got his money."
|
|
"Luck changing, my artiste?"
|
|
"Too soon to tell."
|
|
|
|
"Well, I gotta see this guy," Case said, watching his reflection
|
|
in her glasses. "I got biz to cancel out of."
|
|
"Armitage won't like it, I let you out of my sight." She
|
|
stood beneath Deane's melting clock, hands on her hips.
|
|
"The guy won't talk to me if you're there. Deane I don't
|
|
give two shits about. He takes care of himself. But I got people
|
|
who'll just go under if I walk out of Chiba cold. It's my people,
|
|
you know?"
|
|
Her mouth hardened. She shook her head.
|
|
|
|
"I got people in Singapore, Tokyo connections in Shinjuku
|
|
and Asakuza, and they'll go down, understand?" he lied, his
|
|
hand on the shoulder of her black jacket. "Five. Five minutes.
|
|
By your clock, okay?"
|
|
"Not what I'm paid for."
|
|
"What you're paid for is one thing. Me letting some tight
|
|
friends die because you're too literal about your instructions is
|
|
something else."
|
|
"Bullshit. Tight friends my ass. You're going in there to
|
|
check us out with your smuggler." She put a booted foot up
|
|
on the dust-covered Kandinsky coffee table.
|
|
"Ah, Case, sport, it does look as though your companion
|
|
there is definitely armed, aside from having a fair amount of
|
|
silicon in her head . What is this about, exactly?" Deane ' s ghostly
|
|
cough seemed to hang in the air between them.
|
|
"Hold on, Julie. Anyway, I'll be coming in alone."
|
|
"You can be sure of that, old son. Wouldn't have it any
|
|
other way."
|
|
"Okay," she said. "Go. But five Minutes. Any more and
|
|
I'll come in and cool your tight friend permanently. And while
|
|
you're at it, you try to figure something out."
|
|
"What's that?"
|
|
"Why I'm doing you the favor." She turned and walked
|
|
out, past the stacked white modules of preserved ginger.
|
|
"Keeping stranger company than usual, Case?" asked Julie.
|
|
"Julie, she's gone. You wanna let me in? Please, Julie?"
|
|
The bolts worked. "Slowly, Case," said the voice.
|
|
"Turn on the works, Julie, all the stuff in the desk," Case
|
|
said, taking his place in the swivel chair.
|
|
"It's on all the time," Deane said mildly, taking a gun from
|
|
behind the exposed works of his old mechanical typewriter and
|
|
aiming it carefully at Case. It was a belly gun, a magnum
|
|
revolver with the barrel sawn down to a nub. The front of the
|
|
trigger-guard had been cut away and the grips wrapped with
|
|
what looked like old masking tape. Case thought it looked very
|
|
strange in Dean's manicured pink hands. "Just taking care, you
|
|
Understand. Nothing personal. Now tell me what you want."
|
|
"I need a history lesson, Julie. And a go-to on somebody."
|
|
"What's moving, old son'?" Deane's shirt was candy-striped
|
|
cotton, the collar white and rigid, like porcelain.
|
|
|
|
"Me, Julie. I'm leaving. Gone. But do me the favor, okay?"
|
|
"Go-to on whom, old son?"
|
|
"Gaijin name of Armitage, suite in the Hilton."
|
|
Deane put the pistol down. "Sit still, Case." He tapped
|
|
something out on a lap terminal. "It seems as though you know
|
|
as much as my net does, Case. This gentleman seems to have
|
|
a temporary arrangement with the Yakuza, and the sons of the
|
|
neon chrysanthemum have ways of screening their allies from
|
|
the likes of me. I wouldn't have it any other way. Now, history.
|
|
You said history." He picked up the gun again, but didn't point
|
|
it directly at Case. "What sort of history?"
|
|
"The war. You in the war, Julie?"
|
|
"The war? What's there to know? Lasted three weeks."
|
|
"Screaming Fist."
|
|
"Famous. Don't they teach you history these days? Great
|
|
bloody postwar political football, that was. Watergated all to
|
|
hell and back. Your brass, Case, your Sprawlside brass in,
|
|
where was it, McLean? In the bunkers, all of that... great
|
|
scandal. Wasted a fair bit of patriotic young flesh in order to
|
|
test some new technology. They knew about the Russians' defenses,
|
|
it came out later. Knew about the emps, magnetic pulse
|
|
weapons. Sent these fellows in regardless, just to see." Deane
|
|
shrugged. "Turkey shoot for Ivan."
|
|
"Any of those guys make it out?"
|
|
"Christ,'' Deane said, "it's been bloody years.... Though
|
|
I do think a few did. One of the teams. Got hold of a Sov
|
|
gunship. Helicopter, you know. Flew it back to Finland. Didn't
|
|
have entry codes, of course, and shot hell out of the Finnish
|
|
defense forces in the process. Special Forces types." Deane
|
|
sniffed. "Bloody hell."
|
|
Case nodded. The smell of preserved ginger was overwhelming.
|
|
|
|
"I spent the war in Lisbon, you know," Deane said, putting
|
|
the gun down. "Lovely place, Lisbon."
|
|
"In the service, Julie?"
|
|
"Hardly. Though I did see action." Deane smiled his pink
|
|
smile. "Wonderful what a war can do for one's markets."
|
|
"Thanks, Julie. I owe you one."
|
|
"Hardly, Case. And goodbye."
|
|
|
|
* * *
|
|
|
|
|
|
And later he'd tell himself that the evening at Sammi's had
|
|
felt wrong from the start, that even as he'd followed Molly
|
|
along that corridor, shuffling through a trampled mulch of ticket
|
|
stubs and styrofoam cups, he'd sensed it. Linda's death, waiting....
|
|
|
|
They'd gone to the Namban, after he'd seen Deane, and
|
|
paid off his debt to Wage with a roll of Armitage's New Yen.
|
|
Wage had liked that, his boys had liked it less, and Molly had
|
|
grinned at Case's side with a kind of ecstatic feral intensity,
|
|
obviously longing for one of them to make a move. Then he'd
|
|
taken her back to the Chat for a drink.
|
|
"Wasting your time, cowboy," Molly said, when Case took
|
|
an octagon from the pocket of his jacket.
|
|
"How's that? You want one?" He held the pill out to her.
|
|
"Your new pancreas, Case, and those plugs in your liver.
|
|
Armitage had them designed to bypass that shit." She tapped
|
|
the octagon with one burgundy nail. "You're biochemically
|
|
incapable of getting off on amphetamine or cocaine."
|
|
"Shit," he said. He looked at the octagon, then at her.
|
|
"Eat it. Eat a dozen. Nothing'll happen."
|
|
He did. Nothing did.
|
|
Three beers later, she was asking Ratz about the fights.
|
|
"Sammi's," Ratz said.
|
|
"I'll pass," Case said, "I hear they kill each other down
|
|
there."
|
|
An hour later, she was buying tickets from a skinny Thai
|
|
in a white t-shirt and baggy rugby shorts.
|
|
Sammi's was an inflated dome behind a port side warehouse,
|
|
taut gray fabric reinforced with a net of thin steel cables. The
|
|
corridor, with a door at either end, was a crude airlock preserving
|
|
the pressure differential that supported the dome. Fluorescent
|
|
rings were screwed to the plywood ceiling at intervals,
|
|
but most of them had been broken. The air was damp and close
|
|
with the smell of sweat and concrete.
|
|
None of that prepared him for the arena, the crowd, the
|
|
tense hush, the towering puppets of light beneath the dome.
|
|
Concrete sloped away in tiers to a kind of central stage, a raised
|
|
circle ringed with a glittering thicket of projection gear. No
|
|
light but the holograms that shifted and flickered above the
|
|
ring, reproducing the movements of the two men below. Strata
|
|
of cigarette smoke rose from the tiers, drifting until it struck
|
|
currents set up by the blowers that supported the dome. No
|
|
sound but the muted purring of the blowers and the amplified
|
|
breathing of the fighters.
|
|
Reflected colors flowed across Molly's lenses as the men
|
|
circled. The holograms were ten-power magnifications; at ten,
|
|
the knives they held were just under a meter long. The knife-fighter's
|
|
grip is the fencer's grip, Case remembered, the fingers
|
|
curled, thumb aligned with blade. The knives seemed to move
|
|
of their own accord, gliding with a ritual lack of urgency through
|
|
the arcs and passes of their dance, point passing point, as the
|
|
men waited for an opening. Molly's upturned face was smooth
|
|
and still, watching.
|
|
"I'll go find us some food," Case said. She nodded, lost in
|
|
contemplation of the dance.
|
|
He didn't like this place.
|
|
He turned and walked back into the shadows. Too dark.
|
|
Too quiet.
|
|
The crowd, he saw, was mostly Japanese. Not really a Night
|
|
City crowd. Teaks down from the arcologies. He supposed that
|
|
meant the arena had the approval of some corporate recreational
|
|
committee. He wondered briefly what it would be like, working
|
|
all your life for one zaibatsu. Company housing, company
|
|
hymn, company funeral.
|
|
He'd made nearly a full circuit of the dome before he found
|
|
the food stalls. He bought yakitori on skewers and two tall
|
|
waxy cartons of beer. Glancing up at the holograms, he saw
|
|
that blood laced one figure's chest. Thick brown sauce trickled
|
|
down the skewers and over his knuckles.
|
|
Seven days and he'd jack in. If he closed his eyes now,
|
|
he'd see the matrix.
|
|
Shadows twisted as the holograms swung through their dance.
|
|
Then the fear began to knot between his shoulders. A cold
|
|
trickle of sweat worked its way down and across his ribs. The
|
|
operation hadn't worked. He was still here, still meat, no Molly
|
|
waiting, her eyes locked on the circling knives, no Armitage
|
|
waiting in the Hilton with tickets and a new passport and
|
|
money. It was all some dream, some pathetic fantasy.... Hot
|
|
tears blurred his vision.
|
|
Blood sprayed from a jugular in a red gout of light. And
|
|
now the crowd was screaming, rising, screaming--as one figure
|
|
crumpled, the hologram fading, flickering....
|
|
Raw edge of vomit in his throat. He closed his eyes, took
|
|
a deep breath, opened them, and saw Linda Lee step past him
|
|
her gray eyes blind with fear. She wore the same French fatigues.
|
|
|
|
And gone. Into shadow.
|
|
Pure mindless reflex: he threw the beer and chicken down
|
|
and ran after her. He might have called her name, but he'd
|
|
never be sure.
|
|
Afterimage of a single hair-fine line of red light. Seared
|
|
concrete beneath the thin soles of his shoes.
|
|
Her white sneakers flashing, close to the curving wall now
|
|
and again the ghost line of the laser branded across his eye,
|
|
bobbing in his vision as he ran.
|
|
Someone tripped him. Concrete tore his palms.
|
|
He rolled and kicked, failing to connect. A thin boy, spiked
|
|
blond hair lit from behind in a rainbow nimbus, was leaning
|
|
over him. Above the stage, a figure turned, knife held high,
|
|
to the cheering crowd. The boy smiled and drew something
|
|
from his sleeve. A razor, etched in red as a third beam blinked
|
|
past them into the dark. Case saw the razor dipping for his
|
|
throat like a dowser's wand.
|
|
The face was erased in a humming cloud of microscopic
|
|
explosions. Molly's fletchettes, at twenty rounds per second.
|
|
The boy coughed once, convulsively, and toppled across Case's
|
|
legs.
|
|
He was walking toward the stalls, into the shadows. He
|
|
looked down, expecting to see that needle of ruby emerge from
|
|
his chest. Nothing. He found her. She was thrown down at the
|
|
foot of a concrete pillar, eyes closed. There was a smell of
|
|
cooked meat. The crowd was chanting the winner's name. A
|
|
beer vendor was wiping his taps with a dark rag. One white
|
|
sneaker had come off, somehow, and lay beside her head.
|
|
Follow the wall. Curve of concrete. Hands in pockets. Keep
|
|
walking. Past unseeing faces, every eye raised to the victor's
|
|
image above the ring. Once a seamed European face danced
|
|
in the glare of a match, lips pursed around the short stem of a
|
|
metal pipe. Tang of hashish. Case walked on, feeling nothing.
|
|
|
|
"Case." Her mirrors emerged from deeper shadow. "You
|
|
okay?"
|
|
Something mewlcd and bubbled in the dark behind her.
|
|
He shook his head.
|
|
"Fight's over, Case. Time to go home."
|
|
He tried to walk past her. back into the dark, where something
|
|
was dying. She stopped him with a hand on his chest.
|
|
"Friends of your tight friend. Killed your girl for you. You
|
|
haven't done too well for friends in this town, have you? We
|
|
got a partial profile on that old bastard when we did you, man.
|
|
He'd fry anybody, for a few New ones. The one back there
|
|
said they got on to her when she was trying to fence your RAM.
|
|
Just cheaper for them to kill her and take it. Save a little
|
|
money.... I got the one who had the laser to tell me all about
|
|
it. Coincidence we were here, but I had to make sure." Her
|
|
mouth was hard, lips pressed into a thin line.
|
|
Case felt as though his brain were jammed. "Who," he said,
|
|
"who sent them?"
|
|
She passed him a blood-flecked bag of preserved ginger.
|
|
He saw that her hands were sticky with blood. Back in the
|
|
shadows, someone made wet sounds and died.
|
|
|
|
After the postoperative check at the clinic, Molly took him
|
|
to the port. Armitage was waiting. He'd chartered a hovercraft.
|
|
The last Case saw of Chiba were the dark angles of the arcologies.
|
|
Then a mist closed over the black water and the drifting
|
|
shoals of waste.
|
|
|